Archive For The “Current Exhibit” Category

Fernand Léger and the roofs of Paris

Fernand Léger and the roofs of Paris

Fernand Léger and the roofs of Paris
Kroller-Muller Museum – Nov 19, 2022 to Apr 02, 2023 Otterlo (Netherlands)

 

 

 

 

 

 

The exhibition Fernand Léger and the rooftops of Paris is the ideal opportunity to discover a key moment in the oeuvre of the French cubist Fernand Léger. It also features a premiere: the discovery of a hidden painting.

Fumées sur les toits.

When Fernand Léger (1881-1955) paints the series Fumées sur les toits in 1911-1912, he finds himself at a turning point in his career. From 1908 he makes a radical departure from the style of his earlier works. Initially heavily inspired by Paul Cézanne, in search of new artistic possibilities. The view from his studio over the roofs of Paris, with its chimneys and plumes of smoke. Inspires Léger to experiment with form and colour, working from relatively realistic and monochrome towards increasingly abstract and colourful. This search ultimately results in cubist works such as Contrastes de formes (1913-1914), which he makes on the eve of the First World War. The painting La partie de cartes (1917), which Helene Kröller-Müller acquires for her collection and that constitutes a high point in Léger’s oeuvre, would also have been unimaginable without the Fumées sur les toits.

Triton Collection Foundation.

On the basis of paintings and drawings, Fernand Léger and the rooftops of Paris shows Léger’s development, with the painting Fumées sur les toits from the Triton Collection Foundation at its centre. The painting is on public display for the first time. The broader context is formed by the works of the two groups of cubists in Paris. The group around Pablo Picasso and Georges Braque that exhibited mainly in the gallery of Daniel-Henry Kahnweiler, and the group around Léger, which exhibited at the major Salons and also included Robert Delaunay. Jean Metzinger and Henri Le Fauconnier.

 

 

Fernand Léger and the roofs of ParisPin on TAK/Roof

Fernand Léger and the roofs of Paris

Kroller-Muller Museum→  Houtkampweg 6 Otterlo, Netherlands 6731

 

 

 

 

 

 

 

 

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Joan Mitchell: Paintings 1979-1985

Joan Mitchell: Paintings 1979-1985

Joan Mitchell: Paintings 1979-1985
David Zwirner – Until dec 17, 2022 New York (US)

 

 

 

 

 

David Zwirner is pleased to present an exhibition of paintings by Joan Mitchell focusing on the years 1979 to 1985. A significant and deeply generative period within her decades-long career—on view at the gallery’s 537 West 20th Street location in New York. Featuring paintings from both public and private collections, as well as from the holdings of the Joan Mitchell Foundation, the show will coincide with the final leg of the artist’s critically acclaimed retrospective—previously on view at the San Francisco Museum of Modern Art and Baltimore Museum of Art—which opens at Fondation Louis Vuitton, Paris on October 5, alongside the concurrent exhibition Claude Monet – Joan Mitchell.

Four-decade.

Mitchell established a singular visual vocabulary over the course of her more than four-decade career. While rooted in the conventions of abstraction. Mitchell’s inventive reinterpretation of the traditional figure-ground relationship and remarkable adeptness with color set her apart from her peers, and resulted in intuitively constructed and emotionally charged compositions that alternately conjure individuals, observations, places, and points in time. Her prodigious oeuvre encompasses not only the large-scale abstract canvases for which she is best known, but also smaller paintings, drawings, and prints.

In France.

For Mitchell, this period, which included her important 1982 solo exhibition at the Musée d’Art Moderne de Paris, was a time of profound artistic development, growth, and focus on the possibilities of painting. As she became even more fully immersed in daily life at her property in Vétheuil, France. Surrounded by lush gardens, and challenged and inspired by new creative relationships. Mitchell’s studio practice flourished, and her work became even more ambitious and expansive.

 

 

Joan Mitchell: Paintings, 1979-1985Joan Mitchell's Wood, Wind, No Tuba. 2 panels | Joan mitchell, Abstract expressionism painting, Abstract artistsJoan Mitchell, Then, Last Time IV 1985, oil on canvas, 102 x 78 3/4 inches… | Joan mitchell, Artist, Abstract artistsJoan Mitchell in the studio2

David Zwirner →  537 West 20th Street New York, NY, USA 10011

 

 

 

 

 

 

 

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Norman Reedus « Live the life you love »

Norman Reedus « Live the life you love »

Norman Reedus « Live the life you love »
Mark Hachem Gallery – Nov 12 to 17, 2022 Paris (France)

Preview with the artist, Thursday, November 12, 2022

 

 

 

 

 

Mark Hachem GalleryGeraldine BeigbederHappenArt is
delighted to announce the representation of Norman
Reedus and present the artist solo exhibition in Paris titled
“Live the life you love”.

Paris Photo Week.

American actor Norman Reedus nerver goes anywhere whitout his
camera, save for when he is in front of the camera as Daryl Dixon. Amotorcycle-riding, crossebow-wielding zombies hunter in the
Walking Dead, his face dirty from his endless fights against “the
walkers”. During the Paris Photo Week, the actor-photographer will
soon exhibit new works depicting his travels and encounters shot over his many adventures. The opening and exhibition, curated by
Geraldine Beigbeder for HappenArt (curator of artists such as Peter Doherty and Robert Farber among others…) will be held at the gallery Marc Hachem, at 28 place des Vosges, 75003, from the 10th to the 17th of November.

Art book.

Fans of his work will also be able to receive an art book of hisphotography, signed by Reedus on site in the presence of the Walking Dead Team, among others, who will be in Paris for a shooting of an episode of the Walking Dead this week.

“People have always described my photography as taking a harsh
image and making it beautiful. I always liked images that make you take
a pause and try to figure them out”
Norman Reedus.

 

 

 

LIVE THE LIFE YOU LOVE - Norman ReedusLIVE THE LIFE YOU LOVE_ Invitation

 

 

Mark Hachem Gallery→  28 place des Vosges, 75004, Paris

 

 

 

 

 

 

 

 

 

 

 

 

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Ben Vautier – Death Isn’t Real

Ben Vautier – Death Isn’t Real

Ben Vautier – Death Isn’t Real (La muerte no existe)
MUAC, Museo Universitario de Arte Contemporaneo – Until Apr 02, 2023 Mexico City (Mexico)

 

 

 

 

 

In his prodigious production, Ben Vautier creates uninhibited, powerful and total work. Over the course of his career, Ben’s fusion of art and life has been as sincere as it has been forceful. The primary theme of his work is art itself: the need to always be committed and radical, the view that any human practice can be understood as an expression of culture and even its apparent uselessness.

Fusing art with life.

Polyhedric, intense, tireless and tenacious, Ben has expanded his boundless production by fusing art with life in key decades of recent history, always ahead of his time. His attitudes and ways of operating in his first years of work augured many of the trends of the eighties and nineties: the radical nature of certain actions, often hidden by their simplicity. The centrality of the passing of time.

The importance of the text.

The importance of the text. And the capacity to bring together different people in apparently ordinary actions. In a large part of the artistic practices of the last two decades of the century, one can find elements that bring us back to his work. In any case, Ben’s masterpiece is Ben himself: a perpetual motion machine that analyzes the complex reality we must negotiate each day. Deploying a limitless talent and work ethic, Ben sets out to explain the meaning of everything to us.

 

 

Ben Vautier - Death Isn’t RealExposicionesMUAC - Twitter Search / TwitterExposicionesMUAC - Twitter Search / Twitter

Ben Vautier - Death Isn’t Real

MUAC→  Insurgentes Sur 3000, Centro Cultural Universitario Mexico City, Mexico C.P. 04510

 

 

 

 

 

 

 

 

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Making Modernism

Making Modernism

Making Modernism
Royal Academy of Arts – Nov 12 to Feb 12, 2023 London (UK)

Upcoming

 

 

 

 

 

Discover the trailblazing women hidden from the history of 20th-century Modernism.

Celebrated in their native homelands. This exhibition will introduce their innovative paintings and works on paper. Alongside key pictures by Erma Bossi, Ottilie Reylaender and Jacoba van Heemskerck.

Radical new approaches.

The exhibition reframes subjects such as self-portraiture, still-life, the female body. Depictions of childhood, landscapes and urban scenes through the experiences and perspectives of these ground-breaking artists who, although less familiar than their male counterparts, such as Wassily Kandinsky. Were no less central to the development of radical new approaches to art in Europe.

 

 

Making Modernism

Paula Modersohn-Becker

Portrait of Anna Roslund – Leicester's German Expressionist Collection |  Ouvrages d'art, Comment peindre, Les arts

Gabriele Münter

Artist: Gabriele Münter https://t.co/dFLuTJWowH" /  Twitter

Gabriele Münter,

1909, Twins | Artist, Art, Painting

Marianne Werefkin

Royal Academy of Arts→  Burlington House, Piccadilly Mayfair – London, UK W1J 0BD

 

 

 

 

 

 

 

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Meret Oppenheim: My exhibition

Meret Oppenheim: My exhibition

Meret Oppenheim: My exhibition
MoMA, The Museum of Modern Art – Oct. 30 to Mar 04, 2023 New-York (US)

 

 

 

 

 

“No one will give you freedom,” Meret Oppenheim said in 1975. “You have to take it.” Inspired by the visionary Swiss artist’s own plans for an exhibition of his art, Meret Oppenheim: My Exhibition brings together nearly 200 works that offer a broad retrospective view of Oppenheim’s innovation throughout his life. From its remarkably open concept art, fierce originality and spirit.

Six decades career .

Best known for her famous fur-lined teacup, the extent of Oppenheim’s six-decade career is largely unknown outside of her native Switzerland. Many paintings, sculptures, assemblages, reliefs, jewelry creations, works on paper and collages are exhibited for the first time in the United States. This exhibition offers a rare opportunity to view Oppenheim’s output. From bold objects first presented alongside those of the Surrealists in the 1930s, to painted collages that incorporate natural materials found in the Alpine landscape, to sculptures in bronze and semi-precious stone – in all its exuberant variety.

 

 

Meret Oppenheim: My exhibitionprimatexxt Buchversand - Meret Oppenheim - Mon Exposition 9783777438160Meret OppenheimMeret Oppenheim - Self-Portrait, Skull and Ornament, 1964. http://www.moma.org/collection/artist.php?ar…  | Meret oppenheim, Surrealist photographers, Self portrait

MoMA →  11 West 53rd Street Midtown – New York, NY, USA 10019

 

 

 

 

 

 

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La fin de l’innocence/ La faim de l’abondance

La fin de l’innocence/ La faim de l’abondance

The End of Innocence / The Hunger of Abundance.

Galerie 18bis – First part: Until Oct 23, 2022 Paris (France)

Second part: Oct 29 to Nov 13, 2022 

 

 

 

 

 

Galerie 18bis presents the first part of the exhibition: “La fin de l’innocence/ La faim de l’abondance.”

The entire Galerie 18bis team would like to thank the artists who resonate with the narrative of this exhibition.

Censorship, denigration, disqualification, stigmatization are the arguments employed by the imaginary society which has organized itself so that it is impossible to escape it.

How to illustrate this dystopia in Plastic Art?

First scenography.

A first scenography as an observation, with the aim of making the viewer reflect on certain threats that weigh on society at the time in which we live.
Abundance is crossed out to reveal innocence, the plastic beauty of the works presented brings out a subliminal message. A meaning to realize that in the face of evidence of dystopia, innocence is complacency.

 

 

Upcoming: 
“La faim de l’abondance”
Galerie 18bis – Oct 29 to Nov 13, 2022 Paris (France)

 

Second scenography.

The second scenography of this three-part exhibition gives way to a selection by K-Litystreet. Dan invited 8 influential artists in the street art movement to offer us a version of “La faim de l’abondance”.

 

Galerie 18bis→  6 Place de l’Assommoir, 75018 Paris, France

 

 

 

 

 

 

 

 

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Doris Salcedo – Palimpsest

Doris Salcedo – Palimpsest

Doris Salcedo – Palimpsest
Fondation Beyeler – Oct 09 to Sep 17, 2023 Basel (Switzerland)

 

 

 

 

 

Starting in the autumn, the Fondation Beyeler will be showing the expansive installation Palimpsest by the internationally renowned Colombian artist Doris Salcedo. Born in Bogotá in 1958, Salcedo explores the effects of violence and exclusion in her native Colombia as well as in other regions of the world in objects. Sculptures and large site-specific interventions.

To fugitives.

In Palimpsest, Salcedo dedicates herself to fugitives who have drowned in the dangerous crossing of the Mediterranean Sea or the Atlantic Ocean in search of a better life in Europe over the last twenty years. Palimpsest will be on display at the Fondation Beyeler until September 2023, culminating in a large-scale exhibition by the artist in summer 2023.

 

 

White Cube Bermondsey will present a solo exhibition by Colombian artist Doris  Salcedo, focusing on her installation 'Palimpsest'… | Doris salcedo,  Exhibition, CubeDoris Salcedo - Palimpsest. | Nombres de hombres, Artistas colombianos,  Migrantes

Fondation Beyeler →  Baselstrasse 101 Basel, Switzerland 4125

 

 

 

 

 

 

 

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Carolee Schneemann: Body Politics

Carolee Schneemann: Body Politics

Carolee Schneemann: Body Politics
Barbican Art Gallery – Until Jan 08, 2022 London (UK)

 

 

 

 

 

The first major survey of Carolee Schneemann’s work in the UK, tracing her diverse expression. Transgressive and interdisciplinary over six decades.

Feminist icon.

Schneemann was a radical artist who remains to this day a feminist icon and a reference for many contemporary artists. Addressing pressing topics ranging from the sexual expression and objectification of women to human suffering and the violence of war, her work engages with the precarious lived experience of humans and animals.

Breakthrough group performances.

The exhibition will present the first paintings of the artist. His experimental sculptural assemblages and kinetic works. her pioneering performance work in which she used her own body as a medium. Also, his breakthrough group performances. As well as his lyrical films and immersive multimedia installations. With over 200 objects and rarely seen archival material, this exhibition positions Schneemann as one of the most relevant, provocative and inspiring artists of the 20th and early 21st centuries.

 

 

Carolee Schneemann: Body Politics

 

Barbican Art Gallery →  Barbican Centre, Silk Street London, UK EC2Y 8DS

 

 

 

 

 

 

 

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Xaviera Simmons: Crisis Makes a Book Club

Xaviera Simmons: Crisis Makes a Book Club

Xaviera Simmons: Crisis Makes a Book Club
Queens Museum of Art – Oct 02 to March 05, 2023 New York (US)

 

 

 

 

 

 

The Queens Museum presents Crisis Makes a Book Club, a large-scale exhibition by Xaviera Simmons. Simmons’ formal practice spans photography. Performance, video, sound, sculpture and installation to critically examine contemporary artistic practices. American life as shaped by social histories of whiteness. Structural and systemic diseases and work.

Several artistic modes.

The exhibition includes works that link form to sensuality. To desire, to language and to abstraction. New monumental works that span multiple art modes. Including text-based paintings, photographs, videos, sculptural figures. Chromatically coordinated interventions in the galleries and billboard-sized works for the exterior façade of the Museum. Viewing white supremacy and capitalism as intertwined systems that maintain the vast reach of the United States’ empire, Simmons’ works call for the urgent need for large-scale structural repair. In this ambitious exhibition, Simmons offers a detour from the ideologies of representation to a liberating framework that centers both a rigorous engagement with art history as well as restorative economic and spiritual projects.

La Jornada and Queens Museum Cultural Food Pantry.

Simmons collaborates with the La Jornada and Queens Museum Cultural Food Pantry on projects in the pantry distribution area. These interventions honor the caring work of food pantry volunteers while opposing the way food pantry arises from the stratification of wealth. Simmons’ work recognizes that poverty and unequal access to resources are a structural symptom of capitalism that can only be countered by large-scale systemic change.

 

 

Xaviera Simmons: Crisis Makes a Book ClubXaviera Simmons: Crisis Makes a Book ClubQueens Museum of Art →  Flushing Meadows Corona Park Queens – New York, NY, USA 11368

 

 

 

 

 

 

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