Nina Valetova

Nina Valetova

Painter

Location: New-York (US)

Nina Valetova

Painter

Nina Valetova (Russia) established an early interest in art , which led her to art school and then university BGPU in Ufa.
Using techniques such as oil, acrylic, and colored pencil, Nina addresses several aesthetic categories around ancient cultures, mythologies, fantasy, metaphysics and philosophy.

Theme of science.

The theme of science is also presented in artworks, like a homotopy and mobius strip.
Nina Valetova is an established artist in the current wave of bold, experimental artists. Exploration of synthesis different styles has been a recurring feature in her work.

Synthesis Art.

In general, Nina’s art does not fall into the one category and style. Often each piece is created in several styles.
Searching new way in creating art, Nina establishes Synthesis Art Style in contemporary art, that combines of suprematism, surrealism, cubism with abstract and figurative arts.

Exhibitions.

Valetova has broadly exhibited her work internationally, mainly in Europe, China and USA.

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Ryota Matsumoto

Ryota Matsumoto

Painter

Location: United States

Ryota Matsumoto

Painter

As an artist, designer, and architect, Ryota Matsumoto is internationally recognized as the progenitor of the postdigital art movement.
Born in Tokyo, he was raised in Hong Kong and Japan. He received a Master of Architecture degree from University of Pennsylvania in 2007 after his studies at Architectural Association in London and Mackintosh School of Architecture, Glasgow School of Art in early 90’s.

Study.

Over the years, he has studied with Manuel DeLanda, Vincent Joseph Scully Jr., Cecil Balmond, and Giancarlo De Carlo, among others.
Matsumoto has previously collaborated with a cofounder of the Metabolist Movement, Kisho Kurokawa, and with Arata Isozaki, Peter Christopherson, and MIT Media Lab.

Media.

His work, writings, and interviews were published in Kalubrt Magazine, University of North Carolina Wilmington Journal Palaver, Furtherfield.org, The Journal of Wild Culture, Studio Visit Magazine, Fresh Paint Magazine, H+ Magazine, International Artist Magazine, Made In Mind Magazine, Arizona State University Journal Superstition Review, Creative Review, Next Nature Network, Rhizome.org, Carbon Culture Review, KooZA/rch, Supersonic Art, Post Digital Aethetics (Berry and Dieter ed.), Drawing Discourse (University of North Carolina Asheville), Highlike (SEPI-SP editors), and Drawing Futures (The Bartlett UCL), among others.

Exhibition.

Matsumoto’s multidisciplinary projects have been exhibited recently at Meadows Gallery University of Texas at Tyler, S. Tucker Cooke Gallery University of North Carolina Asheville, Sebastopol Center for the Arts, National Museum of Korea, Czong Institute for Contemporary Art, Van Der Plas Gallery, ArtHelix Gallery, Caelum Gallery, Limner Gallery, the Cello Factory, University of the District of Columbia, Lux Art Gallery, Studio Montclair, Manifest Gallery, Tenerife Espacio de las Artes, Art Basel Miami, ISEA International, FILE Sao Paulo, Nook Gallery, and Arts and Heritage Centre Altrincham.
He had solo exhibitions at BYTE gallery Transylvania University (2015), Los Angeles Center of Digital Art (2016), and Alviani ArtSpace, Pescara (2017).

Art work.

Matsumoto’s work reflects the morphological transformations of our ever-evolving urban and ecological milieus, which could be attributed to a multitude of spatiotemporal phenomena influenced by socio-cultural constructs. They are created as visual commentaries on speculative changes in notions of societies, cultures, and ecosystems in the transient nature of constantly shifting topography and geology.

 

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Piotr Kotlicki

Piotr Kotlicki
Painter
Location: Łódź (Poland)

Born 1972 in Poland. Graduated from the Academy of Fine Arts in Łódź, Poland in 2000, diploma with Prof. Ryszard Hunger. Currently works at the National Film School in Łódź at The Film and Television Directing Department. His work is multimedia-oriented with an emphasis on painting and video. They have been displayed at: Ningbo Museum of Art (China). The National Gallery of Art in Warsaw, the Audio-visual & new media arts festival Madatac in Madrid (Spain), the MS Dockville Festival in Hamburg (Germany), the International Video Festival in Novi Sad (Serbia), the Sandhofer Gallery, Salzburg (Austria), the Nachtspeicher23, Hamburg (Germany), the Simultan Festival, Timisoara (Romania), the National Audio-Visual Institute Warsaw (Poland), Assembly Gallery, Poznan (Poland), NordArt, Büdelsdorf(Germany), Drei Ringe, Leipzig (Germany), Strzelski Gallery, Stuttgart (Germany). Awards: 2016 Grand prix Freedom of Form, The Gdańsk Shakespeare Theatre, Gdańsk, Poland; 2017 IV Piotrkow Biennal of Art, ODA, Piotrkow Tryb, Poland; 2014 Shortlisted for „100 painters of tomorow”, Beers Contemporary and Thames & Hudson, UK.

Website→  https://www.instagram.com/piotrkotlicki/

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Otto Zitko

Otto Zitko
Painter
Location: Vienna (Austria)

The thesis will be that of wanting to recognize a bit of architecture in Otto Zitko’s drawings and especially in his bedroom drawings. In a first part, he wishes to enter into the relationship between modernism and design and architecture. Then, secondly, retrace the inversion of this relationship between line and space in the work of Otto Zitko.

Paint a continuous line.

A line that Otto Zitko draws when he paints continues the line that the artist started long ago. With this line, he is “on the move”, like someone who follows nomadic principles. Like someone who literally traces a path in a labyrinthine network and follows it (respectively pursues and traces it). Like someone placing a two-dimensional lineament into existing spaces with expansive painting/drawing gestures, making them dynamic. Delimiting them and enriching them with an unsuspected depth that alludes to the temporal dimension.

Website→  https://www.ottozitko.com/

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Sage Barnes

Sage Barnes
Painter
Location: Kansas City (US)

A self-taught artist, Sage Barnes only learned to create from his own ideas, which is exactly what sets him apart. He found a unique combination of abstract, realistic and street art techniques, which are often separated. Many of her works feature a very realistic bodice. With an explosion of color instead of the front, painted against a graffiti-like wall. Her Instagram bio reads “school dropout,” potentially as a way to let people know that there’s no clear path to success. He also uses his Instagram as a form of connecting with his followers. Rather than just posting a work with its title, it will add a meaningful quote or share the story behind a work.

Website→  https://www.worksbysage.com/

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Colleen Barry

Colleen Barry
Painter
Location: New York (US)

Colleen’s paintings combine the rigor and sophistication of European masters with the power of contemporary art. His influences range from Michelangelo and Kathe Kollwitz to portraits of Andy Warhol. His subjects include family members, friends, fellow artists and his two children. A lifelong New Yorker, Colleen grew up immersed in the music scene of the early 2000s. At 21, she created paintings for film companies in New York and Hollywood. His work has appeared in major Lil Kim and Die Romantik motion pictures and music videos. In 2011, she received an Affiliate Fellowship to reside at the American Academy in Rome with her husband, Will St. John. She learned to paint by studying the old masters in European museums for 10 years. Colleen paints from her studio in East Williamsburg Brooklyn. She is currently the design director at Grand Central Atelier in Long Island City, New York.

Website→  https://www.colleenbarryart.com/

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Wilhelm Sasnal

Wilhelm Sasnal 

Painter
Location: Krakow (Poland)

Wilhelm Sasnal was born in 1972 in Tarnow, Poland. He studied painting at the Academy of Fine Arts in Krakow until 1999, but before that he studied architecture for two years at the Polytechnic in Krakow. During his studies, Sasnal became involved in the artistic collective called Ładnie Group. The title meant pretty or pretty and the band embraced the exact opposite aesthetic. Rather unconventional, and was active until 2000. After that Sasnal worked for advertising agencies but simultaneously produced paintings. Photographs, films. Over time, as his career developed, the artist’s work became part of the public collections of institutions such as the Tate Modern in London and the Museum of Modern Art in Warsaw.

20th century propaganda.

Sasnal approaches painting as a formal exercise. He often borrows subjects from art history. Also, to 20th century propaganda and photojournalism. Avions is a dark appropriation of Alighiero Boetti’s famous airplane designs. Overturning the original pastoral optimism, Wilhelm Sasnal’s planes are engulfed in smoke as if hit by enemy fire.

High culture.

He deconstructs the hierarchy of “high culture” by filtering it through the association of mass media. Through painting, Sasnal explores his own interpretation and understanding of imagery. Her work constantly questions the space between “personal” and “public”. Thus, he strives to define individual experience within a global order of collective consciousness.

Website→  https://www.instagram.com/wilhelm_sasnal/

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Ferrán Gisbert

Ferrán Gisbert

Painter
Location: Spain

The materiality of painting in the work of Ferrán Gisbert escapes language. Meaning to claim the creative process of painting as a pure form of expression and performative intervention. The form is generic for the styling action. Using a craft brush matching the artist’s cue. The performative act is printed directly on the walls, recording the movements of the artist, full of gesture, speed and vitality.

The hand of the author.

The questions that the work of Ferran Gisbert addresses are the intention that animates the hand of the author, of any author. He is driven by the influences of the time in which he lives. The imprint left by said intention in the place, evoking the physical presence of the artist. Gestures, understood as clues that recall the maneuver of the artist. The relationship of his body in a struggle for control of the properties and proportions of the place. His work then generates a concrete way of inhabiting the intervening space when the viewer, contemplating the painting, reconstructs the corporeality of the author there.

Website→  https://www.facebook.com/ferrangisbert.paintings

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